lonnie donegan discographylonnie donegan discography

Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. 2, Shes Got A Sugar Lip (mistake on LP - should be Sals) My Dixie DarlingHam N EggsLivelyStewballFort Worth JailDead Or AliveSally Dont You GrieveChesapeakeBayIt Takes A Worried ManLost JohnIm Just A Rolling StoneAunt RhodyRock O My SoulThe Golden VanityCorrina CorrinaSeven Golden DaffodilsLumberedA Very Good Year, Come To Australia (Great Uncle Alberts Dead), LPS FEATURING LONNIE - Lonnie tracks only, Traditional Jazz At The Royal Festival Hall, Have Tartan Will Travel (Clyde Valley Stompers), On both of these tracks Lonnie Duets with singer Fiona, Barber, Bilk & Bechet With Lonnie Donegan, This is such a great album all tracks listed, Dont You Rock Me Daddy-O (spelt on cover Daddio), http://lonniedonegan.webs.com/eptracklistings.htm, LP TRACK LISTING FOR EP's GO TO BOTTOM OF PAGE. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Putting On The Style _udn = "none"; WebInformation on Lonnie Donegan. The story goes that the host at the concert got the musicians' names confused, calling them "Tony Johnson" and "Lonnie Donegan", and Donegan was happy to keep the name. If anyone has additions or corrections Id be pleased to know of them. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. Lonnie made his chart debut in January 1956 with Rock Island Line. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. Best British musicians before the Beatles? They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. Cake Walkin Babies (instrum.) b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. Pete Huggett - Bass, Strings 1958 It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. It was exceptionally popular among England's teenagers, who accounted for most of its sales. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. To find all LP'S with that song, just keep hitting next. Cumberland Gap Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. Anthony James Donegan [birth name], Tony Donegan, The King of Skiffle, Peterborough, Cambridgeshire, United Kingdom, Live 1957 The Complete Conway Hall Concert, I Wanna Go Home (with Van Morrison) [USA], Bring a Little Water, Sylvie / Dead or Alive, Don't You Rock Me Daddy-O / I'm Alabammy Bound, My Dixie Darling / I'm Just a Rolling Stone, The Grand Coolie Dam / Nobody Loves Like an Irishman, Sally Don't You Grieve / Betty Betty Betty, Lonesome Traveller / Times Are Getting Hard Boys, Lonnie's Skiffle Party (Part 1) / Lonnie's Skiffle Party (Part 2), Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?) Brian Simons - Washboard 1958 Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Press control & F buttons together, put in song title or part of, then find. I'm A Ramblin' Man The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. He formed his own group, the Tony Donegan Jazz Band, in 1952. Summarize this article for a 10 years old. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. Gamblin' Man (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. Donegan was only paid a few pounds for the recording, and received no royalties. The first 13 tracks on this 26-song CD are from various EPs and singles cut by Donegan in late 1955 and early 1956, doing a wide range of country blues and folk material, with repertory by Leroy Carr, Leadbelly, and Woody Guthrie interspersed among country and cowboy numbers, work songs, and field hollers that go back too far for authorship to be identified. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Decca (with The Chris Barber Jazz Band) July 13, 1954: London Lonnie Donegan (gtr, voc. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. / Aunt Rhody, I Wanna Go Home (Wreck of the John B.) Dont You Rock Me Daddy - o. Two tracks were omitted from the original recording. WebLonnie Donegan Pop - Released by Castle Communications on 1/01/1985 16-Bit CD Quality 44.1 kHz - Stereo Starting at $117.99 My Old Man's A Dustman - The Singles As & Bs 1954 - 1961 Lonnie Donegan Vocal Music (Secular and Sacred) - Released by Jasmine Records on 10/12/2012 16-Bit CD Quality 44.1 kHz - Stereo Starting at $18.99 As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Nov 20/21, 1998 Whitla Hall, Belfast (The Skiffle Sessions with Van Morrison, Chris Barber, et al), I Know Where I'm Going unissued LD9 C C Rider (Going Down The Road) " LD9, She Was Big, She Was Blonde, She Was Beautiful " LD9. WebLonnie Donegan & His Skiffle Group albums and discography on AllMusic including all best, old, and new album information. Talking Guitar Blues: The Very Best Of Rock Island Line - The Singles Anthology 1955-1967, Looney Tunes: 24 Greatest Stars, 24 Greatest Tunes, Anthems in Eden: An Anthology of British & Irish Folk 1955-1978, Young Persons Guide to Music: Songs You Should Hear, Robert Palmer: Deep Blues a list of mentioned musicians and songs, Number TWO across the nation - UK singles - The 50's (So Close and So Frustrating), The Best of Rock: The Essential CD Guide, by Alan Clayson, There were Mammoths when The pyramids were built moments in music, Bands from Europe that sound like they're from Mississippi. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. With three Number 1s (Cumberland WebLonnie Donegan & His Group, Lonnie Donegan Group, Lonnie Donegan With His Group Artist [a4469366] Edit Artist Marketplace 293 For Sale Vinyl and CD 1 12 of 12 Sort Show 1 Ive Got Rocks In My Bed. Complete discography, ratings, reviews and more. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. by Bruce Eder. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Smith&Co SSCD1172 LD9, April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber), Hard Time Blues (KC 9) Storyville unissued CD1, July 13, 1954 Decca Studios, West Hampstead, London, Rock Island Line (DR 19299-1) Decca FJ 10647 CD1, Wabash Cannonball (DR 19306) unissued CD1, September 27, 1954 Abbey Road Studios, London, October 1, 1954 Concert Hall, Aarhus, Denmark, Precious Lord (JJ 48) Storyville unissued, October 9, 1954 University, Copenhagen, Denmark, Precious Lord, Lead Me On (CB 3) Tempo A116, Storyville A45003 CD1, October 10, 1954 Odd Fellow's Palais, Copenhagen, Denmark, Over In The New Burying Ground (JJ 84) Storyville A45005 CD8, Wabash Cannonball (JJ 86) Storyville unissued, October 30, 1954 Royal Festival Hall, London, Bury My Body (DR 20034) Decca FJ 10695 CD8, c.late October/early November, 1954 Elstree Studios, Hertfordshire, November 9, 1954 Abbey Road Studios, London, Take My Hand, Precious Lord Columbia DB3850 CD1, December 13, 1954 "Jazz Club"(? With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. More than 100 million titles available in unlimited streaming in high sound quality. I Shall Not be Moved http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html, Creative Commons Attribution-ShareAlike License. The version of Leroy Carr's "How Long, How Long Blues" is almost as much a jazz piece as a blues workout, with guitarist Denny Wright subbing on the piano. Listen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. The Sunshine Of His Love. Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html (Memories of Lonnie Donegan by Paul Griggs). In 1949, he was drafted into the British Army. My Dixie Darling / Jimmy Brown The Newsboy, My Old Man's a Dustman / The Golden Vanity, I'll Never Fall in Love Again / Keep on the Sunny Side, Pick a Bale of Cotton / Steal Away [with The Kestrels], 20th Anniversary Collection: The Greatest Novelty Records of All-Time. In 1949, he was drafted into the British Army. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. He was an actor and composer, known for We Need to Talk About Kevin (2011), Pawn Shop Chronicles (2013) More concert tours followed, along with a move from Florida to Spain. 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