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" Bad Blood . Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. Released in 2012, "Red" is a clear departure from Swift's country days, though she holds onto her signatures, like tragic tales told with beautiful lyrics and upbeat, catchy hits, pivoting easily between the two. Taylor Swift's Track 5s, Ranked 9. Standouts tracks on this album also include "Fearless," an easy listen that captures the sweet feelings surrounding new romances; "Fifteen," a young love story that unfolds over several verses; "White Horse," a slow tune featuring lyrics about heartbreak that cut deep; "Love Story," a romantic tale with a fairytale edge; and "The Best Day," an emotional song that is filled with sweet childhood memories. But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. But before expanding on her honeymoon phase, we're treated to the tour-de-force track "Cruel Summer" (not a Bananarama cover), a buzzer-beating, angst-wielding anthem that's among the greatest pop songs her auteur has ever crafted. "Picture To Burn" is a scorned teen's "Before He Cheats" swapping shooting whiskey for rumor mills with a grown woman's wit and a veteran songwriter's aptitude. Between those extremes is a reliable lineup of ultra-catchy mega-hits that infected the cultural consciousness through Top 40 countdowns and, later, TikTok videos. 175. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. to ultimate effect (and influence to mega-fan Olivia Rodrigo's raucous debut). The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. "1989" is packed with standout songs that hold their own, like "Blank Space," featuring masterful lyrics in a pop context;"Wildest Dreams," showcasing a heartbeat driving the song and breathy singing that creates a dreamlike quality; and "How You Get The Girl," serving as a lighthearted, pop-infused love song. Fearless. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. 1 as it best represents the evolution of Swift and her music. "Red" and "Lover" remain in the middle of the pack. I Knew You Were Trouble, with its swift-step breakdown, saw her signature sound infused with trendy dance production. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). As J. English penned for NPR in 2017, this album really helped solidify Swift's identity in the music world. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". Songs like I Know Places ride a reggae swagger and trap-influenced snare beats before launching into a soaring, Pat Benatar-esque chorus. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. But herein lies the merit of Speak Now. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). this is everything before Red (Taylor's Version) it took so l. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. "So I just kept writing them.". What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". Swift certainly has an . This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. On Red (Taylors Version), we got the spellbinding 10-minute version of the song, an epic rendition that cements the tunes place as a songwriting triumph. But this time, we're also met with a subtle lightness, like the calm and clarity that comes after a good cry. So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. Such contrast in tone and prophecy perfectly capture the beautiful whiplash strewn throughout the album as she walks us through the stages of moving on: willing them to stay ("Treacherous"), drinking with friends to forget ("22"), ending the reconciliation cycle ("We Are Never Ever Getting Back Together"), and starting anew with the next beau ("Begin Again"). "Red" and "Lover" remain in the middle of the pack. Where Reputation before it was a risky, abrasive side-step shrouded in a smoky eye, Lover's follow up is a blushing cheek beaming with rosy retrospection and hopes for the future. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. In a statement when her tenth studio album was first revealed Swift explained this project is the stories of 13 sleepless nights scattered throughout my life, meaning its filled with the sorts of realisations that only hit you in the wee hours. Would it be soft and sincere, like "New Year's Day," poppy and upbeat like "Wildest Dreams," or go back to Swift's acoustic roots with songs like "Untouchable"? Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. Let's be clear: There are no bad Taylor Swift albums. Whether thats emphasizing the wrong syllables of words because she hadnt quite mastered the meter of language (most notable on Teardrops on My Guitar) or mixing metaphors (on Picture to Burn and the otherwise catchy Our Song), theres a lack of polish and editing on Taylor Swift. But her self-titled debut is stagnant in retrospect, its feet firmly planted into an arbitrary industry mogul's limited vision of the "next best country artist." Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. It's Taylor's first autobiographical album in three years, after an incredible pivot to fiction in folklore and evermore followed by re-recording Fearless and Red (with the latter three all dropping in 11 months' time). Red is filled with top notch tunes: the brilliantly snarky We Are Never Ever Getting Back Together (Swifts first ever Billboard 100 Number One) and fizzing 22 are stone-cold smashers. By album three Swift was a certified Big Deal. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. I'm using weekly Spotify Charts because I hate Billboard 2. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. All in all, reputation is by far Taylor's most misunderstood work though its criticisms aren't without merit. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. On 2012s Red, Swift began her transition from country crossover artist to creating glossy, mainstream pop; on its 2021 re-record we were reminded just what a superb songwriter Swift has always been. The tongue-in-cheek I Forgot That You Existed is a strutting reminder of Swifts skills as a lyricist. "Musically and lyrically, Red resembled a heartbroken person. Report RESET RANKING RESET TEMPLATE SAVE/DOWNLOAD TIER LIST Template by lucy Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). The Taylor Swift song sorter and B. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. Miss Americana & the Heartbreak Prince, however, is her stock in trade, a richly painted narrative punctuated by cool synth washes and pep-rally chants, while The Archer is quintessential Swift: wistful, minimalist dream pop that displays her willingness to acknowledge and dismantle her own flaws, triggers, and neuroses. Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. It's a dreamy pop album, though not fully aligned with that subgenre thanks to more of Jack Antonoff's signature production, which injects Midnights with a pulsing, mounting aura in hypnotizing new tracks "You're On Your Own, Kid," "Mastermind," and Spotify play count heavyweight champ "Anti-Hero." The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. this includes her entire catalogue/discography and eras debut to evermore. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. Taylor Swift's 10 seminal albums, ranked In honor of her instant-classic, record-breaking new LP Midnights , here's EW's ranking of Taylor Swift's 10 studio albums from her illustrious career. "Speak Now" comes in at no. That said, this album ranked below the others as it plays it a bit safer than some of the music released later in her career. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. Welcome to the Taylor Swift song sorter. With the addition of six from the Vault tracks (songs written at the same time as the album, that Swift shared with the re-recorded version), it was like opening a musical time-capsule; with tracks like the emotive Fifteen taking on a new meaning as a poignant tribute to her teenage life. Taylor Swift albumsTaylor Swift - 1989Credit: Big Machine, Fall Music Preview Most Anticipated Albums, Taylor Swift albumsTaylor Swift - Speak NowCredit: Big Machine. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. that have almost childish lyrics to soft, heart-wrenching ballads about love and loss like "Soon You'll Get Better.". Marjorie is a tear-jerking tribute to her late grandmother and Justin Vernon-duet Evermore is a euphoric beacon of hope that feels especially poignant at the end of 2020. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Swift's other albums have hits that I can imagine hearing in a grocery store or on a radio station years from now and immediately recognizing just from the opening chords alone. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. It saw Swift push back at a narrative that saw her portrayed as vengeful and bitter, an image that had been thrust upon her by the media and exacerbated by her very public, very long-running beef with Kanye West (first started when he infamously interrupted Taylor Swifts acceptance speech at the VMAs, and regularly reignited by the Kardashian-West clan). But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. Keefe, Nearly every track on Swifts sophomore effort, Fearless, builds to a massive pop hook. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. And though Taylor's never been a stranger to love songs, here, she's more sultry than sweet. Song for song, the album finds Swift at a new peak in her command of language. At just 20-years-old before she had even fully blossomed out of country's genre barriers Taylor had mastered the delicate balance of detailing the life moments blurred between adolescence and adulthood. Other notable tracks include "Illicit Affairs," "Invisible String," and "Betty.". To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. Although she claims the old Taylor is dead in the lyrics of "Look What You Made Me Do," we see touches of her "old self" in the softer chorus of otherwise intense "Ready For It?" The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". Less gradual was Swifts shift from political agnostic to liberal advocate. Jonathan Keefe. This is based on A. And as critic Chris Willman wrote for The Hollywood Reporter in 2010, "Speak Now" saw Swift's music style mature while still keeping elements of her youth that her fans so adored in her previous two albums. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. Her once apolitical music is, on Lover, peppered with references to Americas current state of affairs, both thinly veiled (Death by a Thousand Cuts) and more overt (You Need to Calm Down). She colors its lyrics and soundscapes between the clear cut, ear candy lines a hint of bubblegum pop, a dash of animated movie-anthem flair (it's a miracle that "ME!" Swift, of course, got her start writing astutely observed country ballads, and these songs bolster her trademark knack for lyric-crafting with maximalist, blown-out pop production courtesy of collaborators Max Martin and Jack Antonoff. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. How often I find myself in the mood to listen to . The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. Invisible String, '' `` Invisible String, '' `` Invisible String, and! 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